The writer's strike is especially dangerous for serials like Fox's "24" and "Prison Break." They depend on hooking viewers with ongoing suspense - continuing plotlines punctuated by weekly cliffhangers. Continuity is important. That's the main reason the network has taken to airing them in long, uninterrupted strings of episodes, rather than the repeat-laden schedule normal for sitcoms and traditional dramas like "Bones" that wrap up their stories each week. With a long strike, "Prison Break" could end up paused indefinitely in the middle of a season's complicated adventures. "24," set to debut in January, might not air this season at all. Will viewers still care if and when when they return? Well, I'll care about "Prison Break." But "24," maybe not.
"24" gets all the attention and bigger ratings. But "24" also gets all the abuse. Last season was widely reviled by both mainstream critics and blog-comment wiseasses. The show, starring Kiefer Sutherland as anti-terrorism agent Jack Bauer, has become deeply ingrained into the popular consciousness. It's also become something of a joke, with its endless close calls, fakeouts and miraculous escapes. The writers are making it up as they go along, yet feel obligated to jack up the stakes each and every season. By last year's season six,
the dangers Jack faced, the complications of the story, seemed both wildly over-the-top and boringly repetitive.
"Prison Break" had some of the same problems last season, its second. The first year, the focus was entirely on Michael Scofield's elaborate plot to break his brother, Lincoln Burrows, out of the fictional Fox River penitentiary in Illinois. But the breakout led to a second season spent roaming the U.S. and even Central America as the characters fought the elaborate conspiracy that sent Lincoln to prison in the first place. The challenges they faced seemed both wildly over-the-top and mundane ... just like "24," in other words. Fortunately, ahem, the second season ended with Michael thrown into a hellish Panamanian prison. Now, in season three, he's once again trying to deliver on an impossible escape plan. The show is once again cohesive, focused and at times gruelingly suspenseful.
The strike might render all this moot. Watching last night's two-hour "Prison Break" extravaganza, however, it occurred to me that Fox ought to take some lessons from that show to help "24"...